When I was five years old I used to follow my older brother to his friend's house where I first heard the magical rhythms of percussion. That moment changed me for the rest of my life. I discovered my true love in the drums.


Since that day there haven't been many times that I haven't had drums on the brain. I just love them to death! I mean, who doesn't love the way they make you want to move when someone can really make them sing, and the way they capture everyone's attention even when sitting alone on stage. Admit it, you've caught yourself staring at a drum kit in a store or on a stage somewhere, they're beautiful, it's okay! Everyone loves a well crafted kit and everyone can tell the difference between an imitation and a true work of art.


As I was growing up I became interested in painting and airbrush art. I picked them both up during high school and found that, just like drumming, I was really digging the many things I could create with them. Eventually my talents earned a few scholarships which, of course, I accepted and after attending college for a couple years I decided I wanted to pursue other interests and put art on the back burner for a while. Those other interests were drums and I had decided that then was the time to become a rock star.


Well, obviously that plan didn't work out but it did allow me the opportunity to build some of my own drum kits and snares which I enjoy as much as the actual playing itself. The responses I received from my kits was always great. If it wasn't a drummer asking me where I got them it was a sound engineer following me around telling me how easy they were to mix. Around that time I started thinking about becoming a custom builder, but since my band always came first I knew I didn't have the time I needed to take building seriously. Once the band ended I wanted to get drums and drumming entirely out of my life once and for all, but this proved to be impossible. I'm hooked! Drums are like the air for me and just being around them brings incredible happiness to my life. So after sitting on my drum throne for a few years and staring at some unfinished shells I had laying around from other builds I decided that it was time to put all of my talents together and become a paint star.


Being a perfectionist I knew that I wouldn't be happy building kits like everyone else's out there. I had seen some nice ones before but knew that I could do better . . . much better. I needed some answers to things that I just wasn't happy with on my past experiences. I began searching the internet for the information and found some really great discussion forums full of exactly what I was looking for. After lurking around on those sites for a while I decided to post some pictures of my own work and received incredible responses from some fellow custom builders. Overnight it seems I became the "answer man" for drum finishing and knew right away that I indeed had something special. As fate would have it, it was on Ghostnote.net I met my future partner in drum building bliss, Vaughn, a fine finisher in his own right, and a master of acoustics, edges, and assembly. My perfectionism had met its match! One thing led to another and Salt City Drums was formed, combining all of our skills to bring you the absolute best drums on the market, bar none. If you think our finishes are amazing just wait until you play our drums. There is nothing else like a Salt City Drum kit, I guarantee it. We are absolute custom drums at their finest.
 
As a youth I was a journeyman air drummer. There was none greater. This was my only option as my parents refused to abide the noise in their house. Fortunately for me I had many musician friends whose parents were kind enough to put up with the racket. I started playing drums every chance I could get, much to the chagrin of my friends who actually had talent. I didn't care, I was drawn to them like a moth to a flame. Not until I was married did I purchase my own kit. I played for a few years, took some lessons, really began to appreciate the instrument and finally began to appreciate the art of jazz which I am profoundly thankful for.


I started building drums around Christmas of 2001. It all started when I got tired of looking at the wrap on my Tama kit so rather than buying new drums I figured I would take a chance on what the wood under the wrap might look like and removed it. I discovered some fairly decent looking mahogany and proceeded to stain and lacquer the shells. They turned out to be absolutely beautiful and I became obsessed with thoughts of building my own drums. I proceeded to scour the web for any and all information about drum building and discovered some really great discussion forums and parts resellers.


My first complete DIY project was a Keller shell with Legend hardware. I researched as much information as I could find on bearing edges, snare beds, re-rings, finish options and any opinion and philosophy on drum building. I dyed, cleared and sanded the shell, cut the bearing edges and snare bed, drilled all the holes and assembled an incredible sounding snare drum. I was expecting the drum to sound good but had some trouble with snare buzz. That's where I really started to learn of the importance of a quality and properly constructed snare bed. Once I got that problem licked I was amazed at how nice it sounded. I showed it off around town to some shops and other drummers and actually built several other snare drums by request. The sound was so much better than most drums at the local shops and I was amazed that I had actually created it.


I had the bug and wanted to learn even more about edges, snare beds and finishes. I wanted to be expert in all aspects of drum building. I tried a lot of different things and experimented on many snare drums to learn all I could from trial and error. I tested all variations of shell types, edge types, how finishing the inside of a shell affects the sound in combination with the bearing edges, to the depth and width of snare beds and even how tightening hardware on wood shells can change the sound of a drum.


In 2003 I co-founded ghostnote.net (which has become drumshed.org as ghostnote.net moved in a new direction) with Eric Warman and Lou Rios and the do-it-yourself drum building craze really exploded after that. Custom drum builders began to pop up all over the world it seems. That's where I met Kurt. I started talking to him about finishes and his knowledge impressed me to the point where I knew without a doubt that if we joined forces that we could not fail. He started talking to me about forming a custom drum company that does finishes you normally only find on expensive six figure show cars and motorcycles. Our combined talents and experience bring you Salt City Drums — the best of aesthetics and sound.


    



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